Kathak Beats' title='Kathak Beats' />Kathak Dance History, Costume Exponents. Kathak is one of the major Indian classical dance forms. Lets take a look at its history evolution, costumes, and exponents. Image Credit pinterest. Kathak is one of the main genres of ancient Indian classical dance and is traditionally regarded to have originated from the travelling bards of North India referred as Kathakars or storytellers. These Kathakars wandered around and communicated legendary stories via music, dance and songs quite like the early Greek theatre. The genre developed during the Bhakti movement, the trend of theistic devotion which evolved in medieval Hinduism. TARANG offers a comprehensive information platform for indian music and classical indian dance. A special section is for Tabla. There is also conected a school on. Kathak is one of the ten major forms of Indian classical dance. The origin of Kathak is traditionally attributed to the traveling bards of ancient northern India. Bollywood is the sobriquet for the Hindi language film industry based in Mumbai, India. It is more formally referred to as Hindi cinema. The term Bollywood is often. Taylor Swift Dear John Songspk. Taylor Swift Dear John 4shared. Taylor Swift Dear John Lyrics. Taylor Swift Dear John Mp3skull. J Balvin Yo Te Dije Descargar Mp3 more. Taylor Swift Dear John Tubidy. Kathak Dance The word Kathak has been derived from the word Katha which means a story. Kathakars or storytellers, are people who narrate stories largely based on. This page is about the Indian rhythmic form known as tintal teental. The Kathakars communicate stories through rhythmic foot movements, hand gestures, facial expressions and eye work. This performing art that incorporates legends from ancient mythology and great Indian epics, especially from the life of Lord Krishna became quite popular in the courts of North Indian kingdoms. Three specific forms of this genre that is three gharanas schools, which mostly differ in emphasis given to footwork versus acting, are more famous namely, the Jaipur gharana, the Benaras gharana and the Lucknow gharana. History Evolution. The roots of this dance form trace back to Sanskrit Hindu text on performing arts called Natya Shastra written by ancient Indian theatrologist and musicologist Bharata Muni. It is presumed that the first complete version of the text was completed between 2. BCE to 2. 00 CE, but some sources mention the timeframe to be around 5. G0_7Q-Z_E/hqdefault.jpg' alt='Kathak Beats' title='Kathak Beats' />BCE and 5. CE. Thousands of verses structured in different chapters are found in the text that divides dance in two particular forms, namely nrita that is pure dance which comprise of finesse of hand movements and gestures, and nritya that is solo expressive dance that focuses on expressions. Russian scholar Natalia Lidova states that Natya Shastra describes various theories of Indian classical dances including Tandava dance of Lord Shiva, methods of acting, standing postures, gestures, basic steps, bhava and rasa. Mary Snodgrass states that the tradition of this dance form is traced back to the 4. BCE. Bharhut, a village in the Satna district of Madhya Pradesh, India stands as a representative of early Indian art. The 2nd century BC panels found there illustrates sculptures of dancers in different vertical poses with arm positions that resemble Kathak steps, many of which reflect the pataka hasta Mudra. The word Kathak is deduced from the Vedic Sanskrit term Katha which means story while the term kathaka that finds place in several Hindu epics and texts means the person who tells a story. Kathak Beats' title='Kathak Beats' />A comprehensive list of popular dances performed in various parts of South India. Kathak is one of the major Indian classical dance forms. Lets take a look at its history evolution, costumes, and exponents. Daijiworld Media Network Mangaluru. Mangaluru, Jul 18 Mangalurus Nostalgia dance trio of Gavin Rodrigues, Nicky Pinto and Leonel Sequeira have made their. NOT RECEIVING NEW TERRITORY EMAILS GET SIGNED UP TODAY. NOTE Do NOT click the link above to register for Youth and Adult Sports. Click here for ONLINE SPORTS. Text based analysis indicates Kathak as an ancient Indian classical dance form that presumably originated in Banaras or Varanasi and then spread its wings in Jaipur, Lucknow and many other regions of north and northwest India. Association with Bhakti Movement  The Lucknow Gharana of Kathak was founded by Ishwari Prasad, a devotee of the Bhakti movement. Ishwari lived in the village of Handiya situated in southeast Uttar Pradesh. It is believed that Lord Krishna came to his dreams and instructed him to develop dance as a form of worship. He taught the dance form to his sons Adguji, Khadguji and Tularamji who again taught their descendants and the tradition continued for more than six generations thus carrying forward this rich legacy that is well acknowledged as the Lucknow grarana of Kathak by Indian literature on music of both Hindus and Muslims. The development of Kathak during the era of Bhakti movement predominantly focussed on the legends of Lord Krishna and his eternal love Radhika or Radha found in texts like the Bhagavata Purana which were spectacularly performed by the Kathak artists. Image Credit http www. Slide. 6. png. Improvisation in the Mughal Era. This ancient classical dance form that was majorly associated with Hindu epics was well acknowledged by the courts and nobles of the Mughal period. The dance performed in Mughal courts however adapted a more erotic form without having much reference to particular themes applied earlier that communicated religious or spiritual concepts. Improvisations were made by the dancers predominantly to entertain the Muslim audience with sensuous and sexual performances which although were different from the age old dancing concept but contained a subtle message in it like the love of Radha Krishna. Eventually Central Asian and Persian themes became a part of its repertoire. These included replacements of sari with a costume that bared midriff, adding a transparent veil in the costume that typified the ones wore by medieval Harem dancers and whirling while performing as done in Sufi dance. By the time the colonial European officials arrived in India, Kathak already became famed as a court entertainment and was more of a fusion of ancient Indian classical dance form and Persian Central Asian dance forms with the dancers being referred as nautch girls. Decline during Colonial Rule. Emergence of colonial rule in the 1. Kathak. Eventually the social stigma associated with nautch girls added with highly critical and despicable attitude from the Christian missionaries and British officials, who held them and the Devadasis of South India as harlots, disgraced such systems. The Anglican missionaries were critical about Hinduism manifested from the proposition of Reverend James Long who suggested that Kathak artists should embrace European legends and tales associated with Christianity and do away with the Indian and Hindu legends. The Christian missionaries launched anti dance movement in 1. The book The Wrongs of Indian Womanhood by Marcus B. Fuller published in 1. Kathak performances in Hindu temples and family functions. The nautch girls were not only disgraced by the newspapers and officials of colonial rule but were also suppressed economically by pressurising their patrons to cease financial support. The Madras Presidency under the British colonial rule banned the custom of dancing in Hindu temples in 1. The Indian community disapproved such ban apprehending persecution of such rich and ancient Hindu custom on the pretext of social reform. Many classical art revivalists questioned against such discrimination. Image Credit http www. P2MG0. 15. 6. jpg. Revival. In the midst of such upheaval, the families made effort in keeping this ancient dance form from dying out and continued teaching the form including training boys. The progress of the Indian freedom movement in the early 2. Indians to revive national culture and tradition and rediscover the rich history of India in order to resurrect the very essence of the nation. The revival movement of Kathak developed both in the Hindu and Muslim gharanas simultaneously, especially in the Kathak Mishra community. Kalkaprasad Maharaj played an instrumental role in drawing international viewership of Kathak in the early 2. Repertoire. The three main sections of a Kathak dance are invocation and Nritta and Nritya mentioned in Natya Shastra and followed by all major Indian classical dance forms. In the invocation part the dancer offers respect to her guru and musicians onstage and invocation to Hindu gods and goddesses through mudras or hand gestures and facial expressions if the group follows Hindu tradition. In case of Muslim groups, the dancer gives a salami or salutation.